Creator Catalyst

Hey all,

I’ve touched on this topic a bit before in inspiration, but thought I’d go a bit more in depth.

I’ve been drawing for as long as I can remember, but looking back at my old sketchbooks, I didn’t start drawing characters that looked anything remotely like me (fat or black) until I was half way through high school. It got me thinking back to what caused the change. I realized the big shift happened after reading Sophie Campbell’s the Abandoned zombie horror comic. I picked it up after being surprised by the cover in the manga aisle of a Books-A-Million. The cover had a chubby black chick with a red mohawk, piercings, and a black eye. I was pretty floored and spent my food money to buy it (Worth it!). That comic changed my creative life and made me thirsty for my content like it.

I read and reread it multiple times and afterwards I tried to find anything else that she had done. I lucked out on her Deviant Art page where she had galleries full of character and creature designs with info on other comics she made!

Sophie’s art truly opened my mind to new possibilities on the types of characters I could create. I had never seen such a diverse cast of women being the leads of stories that were 100% up my aisle (Fiction, Fantasy, Horror & Sci-fi baby). She drew everyone so diversely from one another it kinda blew my mind. Tall, short, trans, skinny, fat, buck teeth, sunken eyes, disabled bodies, muscular, different races, and sexual orientations all represented and everything felt natural and just right. I was mad thirsty for more, but unfortunately there really wasn’t anything else like her at the time in my fields of interest that I could find.

After being down about not finding anyone else doing what Sophie was doing, I started to look to my own work. Yeah I know right! The power was in my hands all along, but Imma be real… the thought never occurred to me. I learned to draw from copying various cartoons and anime that I saw on tv (mainly dbz). If it didn’t exist in those shows, I didn’t have a frame of reference for it. After viewing my old sketchbooks I found I had 2 body types. Muscular and skinny bones lol. Then I took a look in the mirror and started drawing myself. Then I looked to my family and friends. Before I knew it, I was drawing all kinds of characters and started world building on my comic MagicalMashup!

It’s wild that I can pinpoint the exact catalyst that prompted the change to what I create now, but it was such a big eye opener that proved to me how important representation was for my developing creativity. If I hadn’t found Sophie’s work, I probably would have developed quite differently as an artist and that’s cray to think about. It makes me wonder about others and if there are those with similar stories, or not?

TLDR: Through creating stories featuring women of all shapes, colors, and walks of life, Sophie Campbell’s work helped me see that It was ok to create characters that looked like me and those around me (who most definitely don’t look like the average comic characters). This solidified to me that representation matters. Did you have a catalyst that got you thinking about what you were creating and why? In what ways has it impacted what you make now?

I’m happy with my development, but know I can do even further!!

Diversity is the spice of life and I love spice!- Lady T.

Who is saying what!? Word Bubbles and Order

Soooo I just wrapped up the first chapter of my comic MagicalMashup! (developer side, I literally just started posting pages last month) and on the last page of chapter one I couldn’t help but notice just how verbose it was. Junah, protagonist, is on a call with her three parents and there are chat bubbles crowding most of the page. Not only is it a wordy panel, but I also worry about readers being able to tell who is talking @.@. Each character has a unique way of speaking, but I’m not sure that’s enough to tell who’s saying what for bubbles that have shorter responses. I was going to go back and rework it (which would entail adding another 2-3 pages of chewing the fat that I don’t want to burn any more time on) but I have a time schedule to keep so I’m going to leave it.

For now…

Anyhow, I wanted to know how you all tackle the issue of word bubbles for characters off panel, or panels with lots of wording, as fellow comic creators (or connoisseurs of the comic art form)? Do you add/prefer color to tell who’s talking so never worry about this? Do you prefer/like little symbol to indicate a specific character is speaking? I’m curious to hear ya’lls thoughts and approaches to this. Examples welcomed!

TLDR: What approaches do ya’ll take (or prefer) when it comes to differentiating word bubbles between multiple characters speaking when some are off panel or crowding into one panel?

I feel like for this page I could have been more clear that Yaro is taking off page, but I don’t think i did a terrible job at it either.

Live do and learn, you’ll get better. – Lady T.

Backgrounds in comics what do?

IDK about ya’ll but backgrounds have always been something I’ve admired when I see them done, but dread the thought of doing them. I used to think it was a universal dread, like knowing you will have to get over the aversion to drawing hands, but have found out that’s not really the case. Some folks really go ham on backgrounds and love it.

I knew that in making my comic I’d have to draw some backgrounds, even if they were just in establishing shots, so I tried my best to find any program or tool that would help make it easier on me for creating that which I dread. I’ve found a few neat things that have helped me with interior design like using Planner 5D for structure layouts and rooms (It’s a pretty baller program by the way for folks who could use a lil assist in room layouts, but don’t want to completely build something from scratch like in SketchUp.) and well the Sims 3…back in the day when it there were tons of mods and support for it.

I’ve found that drawing backgrounds or landscapes is something I don’t mind doing when they are stand alone (and not based off of anything to grounded in reality), but when they have a reason to exist due to characters and being interreacted with I’m like…do what now? I know it’s something I’ll get more accustomed to as I do it more, I mean Chapter 1 of my comic MagicalMashup! starts with a house exterior in the middle of the woods as the first panel (that was a journey). Anyway, I’m curious to hear how others tackle the subject.

TLDR: Backgrounds are work. How do you approach backgrounds and settings in your comics or do you just not? Any tips or tools you’d recommend? Wanna express your joy or dread over making backgrounds? I’m all eyes heh.

I’ve gotten some pretty good advice on the matter, so I’m just going to go from there and. Challenge myself to draw my characters interacting with background elements.

Nothing to it but to do it. -Lady T.

…Comic is LIVE, I repeat!

Like woah! It’s here and just wow. What is time even!? I’ve been networking, posting and promoting so much over the last few months leasing you to this point and woah here we are. I just want to get back to creating though bc that stuff is exhausting when paired with trying to make posting schedule across multiple sites. I know I’ll get ahold of it soon, but it’s way more time consuming than you’d think haha.

I’m thankful for my friends and fam for encouraging me to get to this point and I know I’m just starting in my comic making journey, so look forward for what’s to come!

Check my comic out y’all if you like my work ;)!

https://tapas.io/series/MagicalMashup

I also have some support pages too, so if you wanna help a gal out http://patreon.com/Lady_T_Musings and or https://ko-fi.com/ladytmusings/gallery

So much to do and just enough time

So now that I have a release date for the comic, it feel like time is just flying by. Like Nov 1st is right around the corner and though there is still tons to do, it’s important to breathe.

Not only am I trying to complete my backlog, I’m also working on promo illustrations and formatting all my main social media sites to reflect that I want to drive attention to my comic. I’m very much planning my wedding (and loving it) and looking to boost my income (without doing a second job). I wish overtime was a thing at my current job, but oh well. Gotta work with whY I got. So that means taking on some. Commissions. Do I have time for them? Haha no, but I’ve found that min maxing my time by planing accordingly will make the time.

I still have to be careful and only do a bit at a time, but I feel like working under these constraints (though they add pressure) help provide structured use of my time. I love gaming, but when I could be working on the comic, making a little side change, improving my skills, or working on the wedding, it really puts the way I use my time into perspective.

Now it’s important to enjoy your you time for sure, but structuring it so that it balances with self enrichment and productivity is where it’s at.

Here’s to progress and balance!!

New icon time woot. It’s fairy me heh

Practicing what you Suck at

I suck at backgrounds. Well, I find them difficult. They seem so time-consuming and in the background so who cares right?

WRONG.

Backgrounds set the scene for your world and give your characters a world to live in. without them, they are just floating in the void of space.

I know there are shortcuts to get out of drawing backgrounds, but a shortcut only works if there is a way to get to your destination already. That means you gotta make the background before you can come up with ways to avoid it. This applies to other weakness artist face too ie. perspective, hands, expressions, same-face, and etc. The only way to make any headway on this weakness is to face it.

I know it sucks, it’s draining and can be hella frustrating, but they will stick out like a sore pimple the more you develop what you are strong at as an artist.

Drawing from life is probably the easiest way to get a hold on these issues (even if it’s not the most fantastical of solutions. On the other hand, I have been having great success with the tips provided by the Etherington Brothers. Their approach to drawing is organic and their tutorials are to the point, but with ample examples (haha that rhymes).

Their How to Think When Drawing series has been a blessing to thine eyes. Unfortunately the book is hard to come by, but hopefully early 2019 they will be launching a Kickstarter to reprint the first book and launch their second one (alongside a few beautiful sketchbooks I’m sure). In the meantime, definitely check out their website and social media links! They post a ton of free tutorials that I have been using and they have given me life when approach backgrounds. It’s actually made creating them kind of fun.

A lone wizards cottage

That background isn’t gonna draw itself. Hop to it!

-Lady T.

What I got out of Inktober

Today is the first of November and that means Inktober has officially concluded. And this lady completed a piece for every day of the month of October. No matter what I had to do that day, I scheduled the time to work on each Inktober prompt. It was challenging and fulfilling for quite a few reasons and I am glad I completed all 31 days!

Last year was the first time I attempted to do an Inktober. I started off strong, but wound up in the hospital for about a week and got thrown off. I felt left behind when I got out and just skipped it since I felt like it was pointless. Big mistake. Even if I couldn’t do every day, doing the prompts would still have yielded invaluable experience and a chance to learn about my craft.

This year I was determined to participate and finish each day. I didn’t want to give myself any excuses and I wanted to prove to myself this was something I could do. I mean if I am to have any success in making my comic into a fully visualized creation outside of my head, I have to be dedicated to making it happen. Making a webcomic, especially a long-form one is akin to committing to a long-term relationship.  This comic will require attention, dedication, sacrifice, and compromise. But it will also give me a level of satisfaction, pride, and joy I could only achieve by having it in my life.

Completing Inktober for an entire 31 days was… MOTIVATING AS F*! One of my biggest fears as being a creator has always been the fear of not meeting deadlines or delivering what’s been asked of me. In respect to my own work, I fear the loss of motivation. While I haven’t failed a deadline yet, and through editing everything I have had to deliver has been received by a client that was ultimately pleased, the fear of letting my passion fall to the wayside in favor of vegging out is real. Thanks to completing a full month of Inktober, I learned quite a few things about myself.

  1. Word prompts and generators are a blessing to the stuck mind.
    1. Stuck? Don’t know what to draw? Random word generator and draw what comes to your mind from the word. Go a little further out of your comfort zone and try a creature or landscape generator. You will probably come up with things that on average you wouldn’t have thought about. You might learn something about yourself.
  2. Having a list to work from gives me direction and keeps me on track.
    1. This is why outlines are important. Having lists keep away the “um-uh” moments where you know you have work to be done, but you don’t know where to start. Lists, bullet journals, schedules, calendars, alerts, whatever, just get what you need to do somewhere that you can refer to.
  3. Having a deadline for when I have to post will make me find time for it.
    1. This has always been the case for me, but doing Inktober for 31 days just hammered it in for me.
  4. Running out of time leads to creative solutions for reaching the finish line.
    1. I had to have each post up before midnight if it was a  weekend. During work days, I had to finish by 9pm. This lead to a few pieces making me get creative with white space.
  5. The tactile feel of paper, pencil, and pen leads to creative solutions.
    1. I wound up using this experiment to explore the seldom-used artist tools looking pretty around my studio space. Randomly playing with my copiics, watercolors, inks, and various pens were fantastic and got me thinking about how I’d like to incorporate them into my work more.
      1. This also got me to make swatch sheets for my different utensils for reference too. Using my various supplies across different surfaces was also pretty neat :>.
  6. Don’t be afraid to experiment with artistic mediums, even if the outcome is a mess.
    1. Since it was Inktober and I knew I’d have a new sketch every day, it gave me the courage to experiment more. I had a blast mixing mediums and also figuring out how to “fix” any mistakes I made since I wasn’t worried about every piece being a magnum opus.
  7. Mistakes are just a new form being born in art.
    1. Real talk. Mistakes just became a new way embellish or shade a picture and it was liberating!

It was a fantastic experience and I can tell I definitely leveled up as a creator. Through this art challenged I was able to see myself in action working on the issues in myself that I know will be the biggest hurdles to my journey in making this comic. Like the discipline to adhere to a schedule that will facilitate a routine for posting pages (post a day). Be organized so that I know where I’m going and not be overwhelmed with what needs to be done (list of prompts). Last but not least passionate about my comic so that I will look forward to working on it for years to come (Being excited to see how I interpret each prompt). My creative juices are flowing and I’m looking forward to seeing what else springs from these hands after the lessons I’ve learned.

Looking forward to next years Inktober and hopefully, I will see you there.

Check out my Insta for my Inktober art on the left banner. Yup, that’s all me haha!

(One of my fav pieces for the month!)

When your spell goes wrong and you get stuck in a bottle with your crush.
We may be trapped, but at least I’m here with you..

Achieve the goal you set for yourself by making the time to do them. Even if it’s a little bit at a time.

-Lady T.

 

From Word Vomit to an Outline

I sat down to an open word doc and just started word vomiting everything that came to my head about my main character. That spread to the supporting cast and then a bunch of random interactions. Everything flowed out so naturally and I remember thinking this is it. I’m aces at this and this isn’t hard at all. I most have word vomited in that doc over the course of 5 years with little to know to format…

This, of course, meant my first draft was a hot mess and had no direction. Not just plot-wise, but artistically as well. I had no breaks between scenes, no information about the world and its surroundings for drawing reference. It was just a mess,(like my topic hopping on this blog) and incredibly frustrating to go through once I tried to sit down and decipher what I was thinking since I thought I was ready to draw everything out.

Boi that was a setback and rude awakening. Obviously, this wasn’t going to be as easy as I had thought, and so I let myself get defeated and just went back to drawing one-off pieces and being intimidated by my interstate pileup of a word doc.

I knew it needed to be formatted, but I didn’t have the motivation to do it. It wasn’t until I  was lucky enough to catch a free seminar downtown for making comics did I get the direction I needed.

I wish I could remember the speaker so I could give him a shout out. The seminar was actually geared toward submitting work to an anthology he was working on, but he imparted a lot of wisdom in that one hour his seminar lasted.  He imparted great wisdom that got me refocused and working on what to do next. Not only that, but he was very firm about what he was looking for to include in his anthology. He provided script examples, talked about the difference between making a comic and being an illustrator, and was very open to answering questions. It was pretty amazing, and I am glad I went!

I didn’t apply to his anthology project, wasn’t sci-fi or fantasy so it fell flat for me, but I did apply his script outlining techniques to my train wreck. I started fresh and made an outline. I started from the ending and then went to the beginning and made a few things I wanted to see happen character-wise in the middle. From there I add and subtract. It has taken a long time to get everything sorted, and it’s still not complete. That’s ok though. Everything doesn’t have to be a word for word completed before drawing a single page. Having an outline and at least being a chapter ahead of everything=drawn is my obtainable goal. Doing it this way is better for me anyway. I will be able to explore ideas more freely and grow with my comic.

The takeaway… Whenever I used to look at seminars I would shrug them off our look over them. Like why bother when there is the internet, but these gatherings of like-minded individuals and professionals can be amazingly helpful, insightful, and possible networking. Neat tips and tricks, handouts for clarity, Q&A sessions, portfolio reviews. It can seem stuffy to think about, but if you can get in on one you definitely should. Conventions can be fantastic for this too, so go get it!

There’s always another way to approach a problem and you may find it at one of these gatherings.

I only see you and size ain't got nothing to do with it
Masking fluid is pretty neat, got my water looking crystalline clear. More on these two on my Instagram!

Word vomiting may get you moving, but an outline will tell you where to go.

-Lady T.

Getting Cozy with your Written Word

Almost dying definitely put my life into perspective. That experience made me prioritize things that make me most happy in life and what I want to do with the time I have left. I went to college for art, but not the art I wanted to do. I wanted to make comics. I had pages of original characters and one-off neat pieces with cute stories in my head, but I rarely talked about them outside of my closest art friends and I knew that would have to change.

Whenever I feel creatively stomped or frustrated I have art meetups with other art friends. During the time I was I got serious about making a comic, it was my buddy M who I would call on most days. M was also an awesome artist with her own style and tons of stories. We would spend so much time sharing our ideas with each other and it would always give me such a rush. It’s amazing to have someone you can bounce ideas off of who really just gets it.

I’m a visual person. So much so that I’d rather talk through pictures than use my words (Emoji’s were my language before they were a form of language). I know that sounds silly,  but because of that (and the fact that my handwriting is really bad), I didn’t write many of my story ideas down. When I did, I would have a hard time deciphering them (sadly). Getting that old Acer laptop from my aunty was truly the bee’s knees. I could type over handwrite!

I started off by writing blurbs under my pictures to get myself comfortable with writing to some degree. Having folks engage with my characters and asking questions over the years really helped the boost confidence. It’s one thing to write a paper in school, but putting yourself out there to share something personal is a different animal. Writing blurbs helped, but to make the jump to comics, I would have to write a lot more than that.

Well aren't you glowing to see me
Mixed media: alcohol markers and acrylic ink. More on their story on my Instagram!

Draw a story with your words and write a picture with lines.

-Lady T.

Inktober and Experimenting

I love it when an artist shares the materials they use to create their work, I’ve had great luck with finding a variety of mediums through checking out the artist of Instagram or Twitter since you can post multiple pictures in one submission. A good bit of folks will also post what they used next to their pictures and that get’s me pumped.

It’s like a mystery case waiting to be solved. Here is the finished product and here’s what I used. Figure out how it came to be! Thanks to Inktober I have been having a blast with that. So far I have done every day in Inktober and it has just been amazing creatively. I’ve been drawing things I wouldn’t naturally think of and it’s been quite the learning experience. It’s also been great on actually using these materials I have on display in my studio. Art supplies aren’t worth jack if you aren’t using them!

I look forward to what my sketchbook looks at once these 31 days are up. I am still working on MagicalMashup! of course, but doing Inktober alongside it is helping me practice with time management and deadlines. Something I can say has been about 30% of my can-do attitude these days. That and getting organized. Oh-me-oh-my getting organized. I’ll talk about that later though.

There-there
First inktober pic!

Art supplies aren’t worth jack if you aren’t using them!